The Spongebob Musical
by Stephen Hillenburg and Kyle Jarrow

Photo by Michael Scott Evans
Scenic Designer: Scott Leathers
Scenic Charge: Rachael Silverman

I served as a Scenic Artist for The SpongeBob Musical at the Nashville Children’s Theatre (June 25 - July 17, 2022). Throughout this production, I contributed by painting numerous set pieces and gained extensive experience using stamps particularly on the "houses" of the characters Spongebob, Patrick, and Squidward.

I served as a Scenic Artist for The SpongeBob Musical at the Nashville Children’s Theatre (June 25 - July 17, 2022). Throughout this production, I contributed by painting numerous set pieces and gained extensive experience using stamps particularly on the "houses" of the characters Spongebob, Patrick, and Squidward.

I served as a Scenic Artist for The SpongeBob Musical at the Nashville Children’s Theatre (June 25 - July 17, 2022). Throughout this production, I contributed by painting numerous set pieces and gained extensive experience using stamps particularly on the "houses" of the characters Spongebob, Patrick, and Squidward.

I served as a Scenic Artist for The SpongeBob Musical at the Nashville Children’s Theatre (June 25 - July 17, 2022). Throughout this production, I contributed by painting numerous set pieces and gained extensive experience using stamps particularly on the "houses" of the characters Spongebob, Patrick, and Squidward.

I served as a Scenic Artist for The SpongeBob Musical at the Nashville Children’s Theatre (June 25 - July 17, 2022). Throughout this production, I contributed by painting numerous set pieces and gained extensive experience using stamps particularly on the "houses" of the characters Spongebob, Patrick, and Squidward.

Creating the brick wall was, by far, my favorite part of the production. In addition to gaining hands-on experience with carving tools for the first time, I especially enjoyed painting the graffiti. Without a reference image, I had the opportunity to exercise creative freedom in designing the lettering and selecting the color palette.

Creating the brick wall was, by far, my favorite part of the production. In addition to gaining hands-on experience with carving tools for the first time, I especially enjoyed painting the graffiti. Without a reference image, I had the opportunity to exercise creative freedom in designing the lettering and selecting the color palette.

I also participated in painting the lighthouse for this show using various shades of grey latex paint.

I also participated in painting the lighthouse for this show using various shades of grey latex paint.